Hello
People !!!
Last
meet we have seen 2 kind of advertisements, Indonesian and English. We always
know what is the advertisement look like. But, sometimes. Some of us still not exactly
understand about what is the advertisement? Where it come from? How about the
history? Etc. so this time, I will discuss about a little about advertisement
theory. To make us understand a little about the advertisement.
Definitions
Advertising
An identified sponsor has paid
for any form of non-personal communication about an
organisation, product, service or
idea that has passed through a mass communication channel
to reach a broad audience.
In Latin,
ad vertere means "to turn toward".[4] The purpose of advertising may
also be to reassure employees or shareholders that a company is viable or
successful. Advertising messages are usually paid for by sponsors and viewed
via various old media; including mass media such as newspaper, magazines,
television advertisement, radio advertisement, outdoor advertising or direct
mail; or new media such as blogs, websites or text messages.
Theory
The Marketing
Communication process
The marketing communication
process originates from the old mathematical communication
theory published
by Shannon and Weaver in 1949. This theory was created to show how electrical
signals could be transferred from one point to another and came to be
introduced as
a communication
theory within human communication when Weaver thought it also met the
demands on how
humans affect each others (Barlow, 2002). This mathematical model has since
then been identified as a transmission model of communication and has been adapted
widely around the world. During the years, this model has been evolved to form
the different process-models for communications (Dwyer, 2005). Models that can
be found on the communication process in literature today are all inclined on a
base where a sender has to exist to send out a message to a receiver. The
sender creates a need/purpose with its communication, chooses a message to send
out through the right channel that can lead to a created need among the
audience/receiver
Theories and
Models
There are
theories within external marketing communication and advertising that has been
highly
influential in both textbooks and in the professional advertising practice
(Hackley,
2005). These
theories all derive from what can be referred to as the old .learning theory.,
a
theory that can
be related to the Pavlov.s dogs. experiment. Pavlov trained his dogs. to
associate the
arrival of food with the ringing of a bell; a sound that alone would lead to
the
salivation
response among the dogs. Just like the bell in Pavlov.s dogs. experiment,
advertising was
seen as a stimulus that would give rise to a response, just like the dogs.
salivation
response.
A.
AIDA
AIDA was created by Strong in 1925 and
is a behavioural model that has as purpose to makesure that an advertisement
raise awareness, stimulate interest, and leads the customer to desireand eventually
action (Hackley, 2005). The model is seen as a highly persuasive and is said to
often unconsciously affect our thinking
B.
DAGMAR
Russell Colley created DAGMAR when he prepared
a report for the Association of NationalAdvertisers. This report was entitled Defining
Advertising Goals for Measured AdvertisingResults, shortened down to
DAGMAR, and thereof the name, (Belch & Belch, 1995) and waslater in 1969
published as a book with the same title (Mackay, 2005). DAGMAR was created to
encourage measurable objectives for each stage of the communication (Smith
& Taylor, 2002) and does not deal purely with the message (Mackay 2005).
DAGMAR focuses on the levels of understanding that a customer must have for the
organisation and on how to measure the results of an advertising campaign
C.
Lavidge & Steiners
Hierarchy-of-effects model
This model was published during the same
period as DAGMAR. The model was named thehierarchy-of-effects model which is
the same name as some authors used on the foundationtheory, and will therefore
go under the name, Lavidge & Steiners Hierarchy-of-effects model in this study.
According to this model customers do not switch from being completely
uninterested to become convinced to buy the product in one step. Lavidge and
Steiners Hierarchy-of-effects model is created to show the process, or steps, that
an advertiser assumes that customers pass through in the actual purchase
process (Barry & Howard, 1990). The model is based on seven steps, which as
with the other models must be completed in a linear way (See Figure 7). The big
difference between this model and the others is not only the steps, but also
the view on how to pass them. Lavidge and Steiner (1961) write that the steps
has to be completed in a linear way, but. “a potential purchaser sometimes
may move up several steps simultaneously. (Lavidge & Steiner, 1961, p.
60) which is supported by Munoz (2002) who writes that normally ultimate
customers do not switch directly from being interested to become convinced
buyers. Lavidge and Steiner identify the seven steps in the following order:
Types Of
Advertising
Virtually any
medium can be used for advertising. Commercial advertising media can include
wall paintings, billboards, street furniture components, printed flyers and
rack cards, radio, cinema and television adverts, web banners, mobile telephone
screens, shopping carts, web popups, skywriting, bus stop benches, human
billboards and forehead advertising, magazines, newspapers, town criers, sides
of buses, banners attached to or sides of airplanes ("logojets"),
in-flight advertisements on seatback tray tables or overhead storage bins,
taxicab doors, roof mounts and passenger screens, musical stage shows, subway
platforms and trains, elastic bands on disposable diapers, doors of bathroom
stalls, stickers on apples in supermarkets, shopping cart handles
(grabertising), the opening section of streaming audio and video, posters, and the
backs of event tickets and supermarket receipts. Any place an
"identified" sponsor pays to deliver their message through a medium
is advertising
Share of
global adspend
|
medium
|
2015
|
2018
|
Television
advertisement
|
37.7%
|
34.8%
|
Desktop online
advertising
|
19.9%
|
18.2%
|
Mobile
advertising
|
9.2%
|
18.4%
|
Newspaper#Advertising
|
12.8%
|
10.1%
|
Magazines
|
6.5%
|
5.3%
|
Outdoor
advertising
|
6.8%
|
6.6%
|
Radio
advertisement
|
6.5%
|
5.9%
|
Cinema
|
0.6%
|
0.7%
|